![]() Imagine Completes AWS Foundational Technical Review for Aviator Platform Tarjama adopted SubtitleNEXT and NEXT-TT to further boost automatic voice recognition and machine translation services in order to manage costs. Tarjama chooses SubtitleNEXT and NEXT-TT for secure Localization services in Dubaiĭubai-based Tarjama has invested in SubtitleNEXT and NEXT-TT for localization services for secure cloud-based subtitling. Tarjama is a pioneering language technology firm that offers linguistic services that include translation, localization, content creation, transcription, subtitling and strategic advisory. The R2 can be relocated easily from one studio to another. This combination allows fast and easy changes in camera height from a minimum of 400 mm to a maximum of 2,350 mm above floor level. Support is provided by a six-axis programmable articulated robot arm mounted on a motorised pedestal. It is designed for use with cameras such as the compact full broadcast quality UHD/HD Ikegami UHL-43. Ikegami's R2 Real Remote production system allows highly efficient remote camera operation between the studio and the sub-control room as well as ensuring social distancing and studio crowd avoidance when necessary to guard against infection, particularly in close-up sequences. Central themes of its demonstrations will be new advances in virtual and remote production developed in response to changing production styles resulting from the coronavirus pandemic. Ikegami will show the latest additions to its product range at Inter BEE 2022. ![]() Ikegami to Highlight Virtual and Remote Production at Inter BEE 2022 Submitted by Charlie Watson ( Jellyfish Pictures) ![]() Jellyfish Pictures is an ambitious, talented, cutting edge, world leading VFX and animation company, and I can’t wait to work alongside this already great team and achieve great things together.” Whilst I have picked up one or two awards on the way, my biggest accomplishment has been building teams and watching them excel at the creative challenges they are tasked with. I welcome Matt and look forward to the benefits both the company and the team will experience as a result of him being part of the Jellyfish team.”īristowe adds, “I’ve been extremely fortunate to travel the world and work on some of the biggest films in the last two decades. Working alongside myself and the rest of the Leadership team, Matt will balance maximising productivity whilst ensuring we provide the best possible creative environment for talent to perform to their optimum ability. 2019 has seen us focus on our growth, following the opening of our newest studio in Sheffield, and Matt’s extensive experience of bringing together creativity and strategy will be instrumental in our further expansion. Phil Dobree, CEO, Jellyfish Pictures, said, “Matt joining Jellyfish Pictures is a substantial hire for the company. Prior to working with Technicolor and One of Us, Bristowe held senior positions at MPC, and Prime Focus. ![]() In other award-winning turns, Bristowe led the One Of Us VFX team to success in the category of Best Visual and Graphic Effects at the BAFTA’s and Best Digital Effects at the Royal Television Society Awards for The Crown Season 1 and a further RTS award and BAFTA nomination in 2018 for The Crown Season 2. With an impressive career spanning over 20 years, Bristowe joins Jellyfish Pictures after a stint as Head of Production at Technicolor.ĭuring his 20 years in the industry, Bristowe has overseen hundreds of productions with an enviable roster of credits under his belt including Aladdin (Disney), Star Wars: The Last Jedi (LucasFilm/Disney), Avengers: Age Of Ultron (Marvel) Guardians Of The Galaxy (Marvel) and in 2014 was honoured with the Advanced Imaging Society’s Lumiere™ Award for his work on Alfonso Cuarón’s Academy Award-winning Gravity.
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